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La linterna verde de Nathan Fillion es un 'imbécil' en el próximo Superman de James Gunn: 'No tienes que ser bueno'

By LucyMar 22,2025

El próximo reinicio de Superman de James Gunn presenta una nueva versión de Green Lantern, interpretada por Nathan Fillion como Guy Gardner. Fillion describe su interpretación como una desviación de las iteraciones anteriores, enfatizando la personalidad menos que el de Gardner. "¡Es un imbécil!" Fillion revelado en una entrevista reciente con TV Guide. Él aclaró que el heroísmo de Gardner proviene de la valentía, no la bondad inherente: "No tienes que ser bueno para ser una linterna verde; solo tienes que ser valiente. Así que Guy Gardner no tiene miedo, y no es muy bueno. No es agradable". Esta falta de amabilidad, explica Fillion, proporciona libertad creativa, lo que le permite explorar las motivaciones egoístas del personaje. La exageración de Gardner también se destaca, con Fillion señalando la creencia equivocada de su personaje de que podría derrotar a Superman.

Esta nueva película de Superman marca el comienzo del capítulo reiniciado de DC Cinematic Universe "Gods and Monsters". Mientras que la película presenta a Gardner, HBO también está desarrollando una serie Lanterns , con Hal Jordan (Kyle Chandler) y John Stewart (Aaron Pierre), programado para un estreno de 2026.

Superman , protagonizada por David Corenswet como Clark Kent, Rachel Brosnahan como Lois Lane, Milly Alcock como Supergirl, y Nicholas Hoult como Lex Luthor, está escrita y dirigida por James Gunn y está programado para su lanzamiento el 11 de julio de 2025.

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Artículo anterior:El juego de terror 'Coma 2' presenta una dimensión espeluznante Artículo siguiente:Stephen King, the master of horror and storytelling, is famously known for his belief that you can't truly spoil a good story. He often argues that a great narrative—especially one with strong characters, atmosphere, and emotional depth—can withstand knowing the ending. In fact, he's famously said, "The only real horror is the human heart, and the only thing that can truly spoil a story is a bad ending." But even within that philosophy, he does acknowledge one notable exception. That exception? The "spoiler" that ruins the emotional impact of a twist, particularly one that hinges on irony, revelation, or a character’s tragic realization. King has stated that while most plot twists are "spoilable" in the traditional sense, some spoilers—especially those that reveal a character’s fate in a way that robs the reader of emotional journey—can indeed destroy the power of the story. For instance, in It, he once noted that knowing early on that Pennywise the Dancing Clown is not just a monster but a manifestation of childhood fears and trauma enhances the story. But if you were to learn, say, that a beloved character dies in a way that contradicts everything the reader has come to believe about them—without the buildup, the dread, the mounting tension—then the emotional punch is lost. So, while King generally champions the idea that great stories endure spoilers, he does draw a line: A story can be "spoiled" not by revealing plot points, but by stealing the emotional truth or psychological payoff that makes it powerful. As he puts it in On Writing: "The most powerful moments in storytelling aren't the ones you see coming—they’re the ones that hit you like a freight train because you didn’t see them coming... but when you do see them, and they still hurt? That’s magic." So, to clarify: King doesn’t think you can spoil a good story by revealing plot twists. But he does believe you can ruin a story by revealing the emotional truth too early—especially when that truth is the point of the story. Thus, the "exception" isn't a plot twist—it's the emotional core. And that’s the one spoiler that truly matters.