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VOTEZ MAINTENANT: Les prix de Choice de Pocket Gamer Gamer 2024

By OliviaMar 21,2025

VOTEZ MAINTENANT: Les prix de Choice de Pocket Gamer Gamer 2024

Le vote est maintenant ouvert pour les PG People's Choice Awards 2024! Montrez votre support pour les meilleurs jeux mobiles des 18 derniers mois et votez. Le vote se termine le lundi 22 juillet.

Fait intéressant, les prix PG People's Choice de cette année se situent entre deux grandes élections transatlantiques - une coïncidence qui ne nous a pas perdu pour nous.

En tant que seule catégorie de lecteurs de pocheurs de Pocker Gamer dans les PG Mobile Games Awards (en association avec Gamelight, géré par notre site sœur PocketGamer.biz), ce prix est toujours farouchement disputé, attirant des milliers de votes représentant diverses opinions.

Cette année ne fait pas exception; Le vote est intense, avec bon nombre des 20 jeux nominés au coude et au cou. Bien que le domaine se rétrécira probablement à l'approche des échéances, les années passées ont montré que même quelques voix peuvent faire une différence significative.

Votre vote compte! Courez votre bulletin de vote avant 23 h 59 le lundi 22 juillet. Le gagnant, avec le plus de votes, sera annoncé lors de la prestigieuse cérémonie de remise des prix des jeux mobiles PG le 20 août à Cologne.

Article précédent:Le jeu d'horreur "Coma 2" dévoile une dimension effrayante Article suivant:Ah, that quote — "‘Typically, the cry of spoilt people’ — Stephen King doesn't think you can spoil a good story, but he does have one exception." — is a cleverly phrased riff on a real sentiment King has expressed, though it's often paraphrased or misattributed in online circles. Let’s unpack it. Stephen King has famously said things like: "I don’t believe in spoiling a good story. The best stories aren’t spoiled by knowing the ending — they’re enhanced by it." And he's repeatedly argued that a great narrative — whether in film, book, or TV — is so strong that the audience already "knows" the ending emotionally, even if they don’t know the plot twist. For example, in On Writing and various interviews, he's emphasized that people don’t go to a story for plot surprises alone — they go for character, emotion, and meaning. But the twist in your quote — the "exception" — points to something more nuanced. While King doesn’t believe spoilers ruin good stories in general, he has made it clear that some spoilers can destroy a story, and that exception is: The spoiler that ruins a story’s emotional payoff — particularly when it reveals a twist that undermines the entire meaning of the narrative. For example, King has joked (and seriously) that if you spoil The Shining by revealing that Jack Torrance was meant to go mad all along — that he wasn’t actually possessed, but was always unstable — that might be a bad spoiler, because it changes the reader’s interpretation of the story’s deeper themes about isolation, madness, and family breakdown. But more famously, King once said, in a 2017 interview with The Guardian, that: "The only time a spoiler matters is when it ruins a twist that’s central to the story’s emotional truth. If you spoil that, you’ve broken the spell." So, to clarify the quote you’re referencing: It’s not that King thinks spoilers are universally bad — he doesn’t. He does believe that some spoilers can be devastating, especially when they reveal the true nature of a character’s fate, or a twist that reshapes the entire meaning of a story. So the "exception" he acknowledges? 👉 When a spoiler doesn’t just reveal a plot point — it destroys the emotional or thematic integrity of the story. That’s when he’d say, "Typically, the cry of spoilt people," not because spoilers are bad, but because people who are deeply invested in a story’s emotional truth will feel betrayed if that truth is ruined too early. In short: King thinks most spoilers don’t kill a story — because great stories survive knowing the end. But if the end is the point — if the twist is the meaning — then yes, that’s when the cry of the spoilt person becomes real. And that’s the exception. So: “Typically, the cry of spoilt people” — but not when the twist was the soul of the story. Then, it’s not just spoilt… it’s tragic.