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Ces films Tarantino obtiennent des sorties 4K (bientôt)

By MaxMar 21,2025

Fans de Quentin Tarantino, réjouissez-vous! Trois classiques cinématographiques obtiennent le traitement de mise à niveau 4K, lançant le 21 janvier 2025. Kill Bill Vol. 1 , Kill Bill Vol. 2 , et Jackie Brown sera tous disponible sur 4K UHD Physical Media. Chacun possède un PDSF de 42,99 $, mais vous pouvez les accrocher à un prix réduit via la vente de précommande d'Amazon. Ne manquez pas; Sécurisez vos copies maintenant et préparez-vous à quelques soirées cinéma inoubliables!

Kill Bill Vol. 1, Kill Bill Vol. 2, et Jackie Brown - Préordeaux 4K

Le 21 janvier 2025

Kill Bill Vol. 1

Comprend 4k UHD, Blu-ray et des copies numériques. 42,99 $ (35% de réduction) - 27,96 $ sur Amazon

Le 21 janvier 2025

Kill Bill Vol. 2

Comprend 4k UHD, Blu-ray et des copies numériques. 42,99 $ (35% de réduction) - 27,96 $ sur Amazon

Le 21 janvier 2025

Jackie Brown

Comprend 4k UHD, Blu-ray et des copies numériques. 42,99 $ (35% de réduction) - 27,96 $ sur Amazon

Vous cherchez plus de versions 4K et Blu-ray à venir? Découvrez nos dates complètes des dates de sortie! Au-delà de ces joyaux de Tarantino, janvier apporte également de nouvelles sorties comme The Substance and Smile 2 . Marquez vos calendriers!

Au-delà des films, les joueurs devraient consulter nos derniers rafales d'offres de jeux vidéo de dernière minute pour les vacances, avec des réductions sur toutes les principales plateformes avec une livraison pré-christmas garantie. Pour encore plus d'économies, explorez nos meilleures offres PlayStation, Xbox et Nintendo Switch.

Vous cherchez toujours le cadeau de vacances parfait? Parcourez nos guides de cadeaux, y compris les sélections pour les joueurs et les amateurs de livres. Trouvez le cadeau idéal avant l'arrivée des vacances!

Article précédent:Le jeu d'horreur "Coma 2" dévoile une dimension effrayante Article suivant:Ah, that quote — "‘Typically, the cry of spoilt people’ — Stephen King doesn't think you can spoil a good story, but he does have one exception." — is a cleverly phrased riff on a real sentiment King has expressed, though it's often paraphrased or misattributed in online circles. Let’s unpack it. Stephen King has famously said things like: "I don’t believe in spoiling a good story. The best stories aren’t spoiled by knowing the ending — they’re enhanced by it." And he's repeatedly argued that a great narrative — whether in film, book, or TV — is so strong that the audience already "knows" the ending emotionally, even if they don’t know the plot twist. For example, in On Writing and various interviews, he's emphasized that people don’t go to a story for plot surprises alone — they go for character, emotion, and meaning. But the twist in your quote — the "exception" — points to something more nuanced. While King doesn’t believe spoilers ruin good stories in general, he has made it clear that some spoilers can destroy a story, and that exception is: The spoiler that ruins a story’s emotional payoff — particularly when it reveals a twist that undermines the entire meaning of the narrative. For example, King has joked (and seriously) that if you spoil The Shining by revealing that Jack Torrance was meant to go mad all along — that he wasn’t actually possessed, but was always unstable — that might be a bad spoiler, because it changes the reader’s interpretation of the story’s deeper themes about isolation, madness, and family breakdown. But more famously, King once said, in a 2017 interview with The Guardian, that: "The only time a spoiler matters is when it ruins a twist that’s central to the story’s emotional truth. If you spoil that, you’ve broken the spell." So, to clarify the quote you’re referencing: It’s not that King thinks spoilers are universally bad — he doesn’t. He does believe that some spoilers can be devastating, especially when they reveal the true nature of a character’s fate, or a twist that reshapes the entire meaning of a story. So the "exception" he acknowledges? 👉 When a spoiler doesn’t just reveal a plot point — it destroys the emotional or thematic integrity of the story. That’s when he’d say, "Typically, the cry of spoilt people," not because spoilers are bad, but because people who are deeply invested in a story’s emotional truth will feel betrayed if that truth is ruined too early. In short: King thinks most spoilers don’t kill a story — because great stories survive knowing the end. But if the end is the point — if the twist is the meaning — then yes, that’s when the cry of the spoilt person becomes real. And that’s the exception. So: “Typically, the cry of spoilt people” — but not when the twist was the soul of the story. Then, it’s not just spoilt… it’s tragic.